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Ok We use our own and third-party cookies for advertising, session, analytic, and social network purposes. Any action other than blocking them or the express request of the service associated to the cookie in question, involves providing your consent to their use. The game's most noteworthy and entertaining moments come in the form of character-based missions that drive the otherwise sandbox-like campaign there's also an undiluted Sandbox mode should you wish to just build up your city without interruptions.
Every so often you'll be transported to hotspots where characters -be they penniless students looking for a place to get pissed up, or disillusioned poets looking for inspiration in the park - deliver well-written and highly convincing segments of exposition that encourage you to cater to their needs.
What follows are a collection of objectives or Opportunities as they're called that urge you to construct certain buildings and improve them to the point where they satisfy the mewling denizens. This might involve improving a park so that people can take a stroll during their lunch break, or building up a stretch of road so that it's aesthetically pleasing enough to stage a Halloween parade.
Deep Red has clearly done its New York homework, perfectly capturing the cosmopolitan and cultural diversity of one of the world's most exciting and ethnically diverse cities. Chinese New Year is celebrated by a giant street carnival, Little Italy is packed with quaint pizzerias while Soho is full of pretentious twats blathering on about Gucci and pretending to appreciate modern art, rather than scoffing at the talentless child-like doodlings that it so usually is.
Build what is required of you to the correct standard and you'll be rewarded by amusing news reports extolling the virtues of your ever-growing empire. You'll also be treated to visually luscious events such as the aforementioned parades and carnivals. But while these scripted tasks do add a wealth of character to the game, they also betray its most major flaw. Just like many other tycoon games before it, New York suffers from a chronic bout of 'lead you by the hand' syndrome.
Mama wants her son to build up a pizza empire, so you build three pizzerias and a Pizza headquarters. Some punks want somewhere to party, so you build a Punk club and stick a burger bar nearby for good measure. People are hungry, so you build restaurants. They're bored, so you build some bars And so it goes on, ad infinitum.
It's all there in black and white, straightforward instructions and tasks solved by simply building exactly what you're being asked to. Add to this the fact that there's no building degeneration, virtually no city maintenance and zero natural disasters to concern yourself with, and you suddenly realise that all you're doing from one hour to the next is erecting exactly what you're being instructed to. But wait, surely building placement and supply and demand play a part?
Well yes, they do. To an extent. V'see, the beauty and the problem with Tycoon City is that whenever you place a building on a plot of land, you're immediately shown exactly how in demand it'll be in the surrounding area. If the majority of buildings light up green, then you're good to go.
Yellow is OK, while red is bad. So if you're thinking of building an Italian restaurant in Chinatown, only to realise it won't be very popular, all you have to do is keep clicking on the other eatery options till you find one that'll suit that section of the city.
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